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The starving refugees of Syria

27/2/2014

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Nearly 20,000 Palestinian refugees have been besieged in the Yarmouk refugee camp in Syria since last July, caught between Syrian government forces and rebel fighters. This river of humanity that lies between banks of burnt-out buildings is slowly flowing towards a United Nations food distribution point. 
The UN fights its way through to the camp every day and has distributed 7,000 food parcels in the past month, but that is not nearly enough. More than 80 people have died of starvation. Others have died trying to reach the most unsuitable food: CNN reported this week that three people were shot by snipers as they made their way to an open field to eat the grass.  
Yesterday the UN agency for Palestinian refugees released this Associated Press to try to give the world a clue about the scale of deprivation caused by years of civil war. Nearly 50,000 more are besieged in Homs and in the north near Aleppo.
Even in February, this is going to be a strong candidate for picture of the year - and you can bet that there will soon be people claiming that it is a fake - so it is interesting to see how the papers treated it.
Guardian p1 27-02-2014
The Guardian recognised the importance of the photograph, giving it a third of the front - and putting it above the titlepiece. The story that belonged with it was, however, on page 20. This was particularly uncomfortable, even with the little 'reminder' inset picture,  since the copy was written as a caption story and stylish head completed the package.  It would work only if the reader went directly to page 22 from the front.
This was a shame because in going for what most would regard as maximum possible impact, the presentation failed. The Guardian is the one paper with a centre spread that is always given over to a photograph and today that fell on 18 and 19 - the page before the Syrian copy. 

alternate guardian 27-02-14
Supposing the Indian holy man preparing for Shivaratri had been displaced from the spread, how could the Guardian give the Syrian photograph proper projection front and inside?
Perhaps by taking a detail as a solo puff, something like the mocked up version on the left. The extra space could either be used to start the Syrian copy on the front, to run the splash longer complete with the stabbed woman inquest that sparked the splash, or even to use pictures of the Woolwich killers. 
times syria 27-02-14
The Times made it the central picture on its opening World spread, leading on the Ukraine. There is a logic to this. The copy sits with the picture and the more important story of the day takes precedence. It would have been nice if the photograph could have been given another column to the right,but it is clear that the paper appreciated that it was an important picture.
With Russia on the front and a forward spread, the Independent had scope to make something of the refugees if it wishes. But it preferred a file picture of the Al Aqsa mosque for the world front and a whale graveyard.

It did, at least run it across a spread - but it feels like a space-filler. just another picture with a skinny caption to break up some commentary, news from Turkey and a rather nice, but rather too long, tale about a couple  
independent syria 27-02-14
i syria 27-02-14
who found $10m of gold coins while walking their dog. The i also put it across a spread, though heaven knows why. It splits the picture unnecessarily and overlays copy on it to boot. The Mirror gave the photograph most of the top of page 33, again sticking the caption in a box on top of it, while the Telegraph put it at the bottom of its final foreign page above the puzzles. The Express, Star and Sun didn't trouble with it at all.
mirror syria 27-02-14
telegraph syria 27-02-14
And finally, along came the Mail, once again showing its supremacy in the world of presentation.  
Having seen the Guardian, Gameoldgirl was surprised to see this tweet from a former colleague:

Mail really has given pic of Biblical scenes of food queues at Syria refugee camp biggest oomph of all titles today pic.twitter.com/joDFrBBrnf

— David Jack (@DJack_Journo) February 27, 2014
But he was right. Full depth across two pages, with just a single column of text to explain what's going on, the picture is given maximum impact. Robert Hardman's copy has a few too many adverbs. But this is an extraordinary photograph showing what life is like today for vast numbers of the inhabitants of what should be a modern city. And in this instance it isn't the words that matter.
Mail Syria 27-02-14
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The Mail and the dieting Duchess

25/2/2014

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Mail 24-03-14
Mail front 25-02-14
Tuesday 25 February, 2014

The Mail took a break from its limited stock of photographs of Harman and co as twentysomethings yesterday and instead had a nostalgic poke at the Duchess of York and her 'startling new look'. 

A further photograph appeared on page three, coupled with a headline asking "Has Fergie taken the dieting too far?"

"Wearing her hair scraped back off her face, the Duchess of York looked tired and drawn as she left a restaurant in Manhattan..."

The photograph showed no mercy. After the "Wow! Look at Julie Christie at 60" nonsense last week, here was a woman of 54 looking like a woman of 54. She had, the copy explained, been on a "gruelling three-month boot camp in the Swiss Alps" and had lost about 30lb. 

This was all the excuse the paper needed to produce a follow-up spread today, regurgitating thirty years of highs and lows in the Duchess's life through her face and figure. 
Mail spread 25-02-2014
The Duchess shows no signs of retiring from public life and it could be said that there is still a public interest in her activities since her daughters are both high in succession to the Throne. So maybe there is a defence to this - the positive pictures do outnumber the unhappy ones. But how helpful this is in Eating Disorder Awareness Week, I'm not sure.
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Independence Square, Kiev, before and after

22/2/2014

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Independence Square before
independence square after
The one thing SubScribe would have liked to see in the Ukraine coverage yesterday was a 'before' picture of Independence Square. Lo and behold, the Australian Broadcasting Corporation has today come up with an interactive gallery of photographs taken during this outbreak of violence and peaceful shots of the same scene shot from the same angle. Great stuff.
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Spread of the day, Feb 21. The Times

22/2/2014

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times p 10-11, 21-02-14
A difficult choice, but The Times wins. It would have been good if the woman with the tyres could have been bigger. I think I'd have swapped her for the priest. The grey of that picture would have reduced the jumble on the right and we might have seen more of the cross - which would have made it the significance of the photograph more apparent.
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Spread of the day, Feb 20: Mail and the Mallard

21/2/2014

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Picture
The Mail has more space than most to indulge in quirky specials - and it is way out in front in execution, devoting time and resources to detailed research, for example in matching outfits or poses across the years. It is also the market leader in jolly animal pictures. Today's offering of a panda getting into a pickle in a tree is confined to a single page - but it is page 3, so that's hardly underexposure.
Daily Telegraph 20-02-14
The news pages have five spreads: the latest episode of  Labour and the paedophiles, Brooks and Blair, the violence in Kiev, the Brits, and this one on the legends of steam. 
A version of the main photograph appears in two or three other papers, but shunted into corners, mere space fillers to break up the text. Here it is given room to breathe. There is also space for text and a graphic to explain why this collection is special. 
There is a lot to dislike about the Mail view of life, but it is unrivalled in its ability to display and project a subject. 
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The Brits and that Ziggy Stardust costume

20/2/2014

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Daily Mail p26, 20-02-14
The Mail looks surprisingly like...
Star, p4, 20-02-14
...the Star, down to the same error
When it comes to production few can match the Daily Mail. The level of precision and control is extreme. But even the Mail's arch-professional design and picture teams slipped up today - in common with the Times, the Star and the i.
times, p9, 20-02-14











The Times's single page was nicely done - if only
someone had looked at that Bowie picture
It was the natural backbench request. Kate Moss turns up to represent David Bowie in a Ziggy Stardust jumpsuit. We obviously want to see what it looked like on Bowie. The Mail, Star, i and Times all picked the same contrast picture. But didn't anyone look at it? The big bunny on Kate's left hip is on Bowie's right. Assuming that it was genuinely the same costume, the Bowie photograph must have been flipped. Not by the papers to suit design purposes, but by whoever used the archive picture they fell upon.
The big-selling redtops avoided the trap. The Mirror, below left, chose a different, though inferior, comparison picture and the Sun, right, used the same one the right way round (which is just as well, since it was on the front and inside).

mirror 20-02-14
sun 20-02-14
The O2 provided front-page pictures for most papers - the Sun splashed on Bowie's appeal to the Scots to stay in the UK - and the pops all followed up with two spreads, one for fashion and one for gossip. 
Mirror, 2-3, 20-02-14
The Mirror, rather surprisingly, put its elegant frocks and suits feature on 2 and 3, above, and consigned the winners list to the bottom right-hand corner of its usual 3am showbiz spread, which was given over to the Brits. 
The Sun, below, ran consecutive spreads from page 6, which meant that the awards took five of the first nine pages. That's the sort of saturation coverage upfront that you expect for a big story, not a set piece. Neither spread was particularly pretty or particularly witty, although the headline on the second was sweet, given Alex Turner's rambling acceptance speech. And the winners' list was given proper display. Apologies for the poor quality of these pictures.
sun 6-7, 20-02-14
Sun 8,9 20-02-14
The Star, below, took the same approach as the Mirror, but the other way round, with straight news about the awards up front and the frocks on the centre spread. The winners list was prominent and easy to read. It also focused on the winners for its first spread rather than glitzier people who happened to be there. Not a bad job - apart from the Bowie blunder - all in all.
star 4-5, 20-02-2014
Star centre spread, 20-02-14
The Mail restricted itself to one spread and didn't give a hoot for who won. Ellie Goulding was on the front and that was enough winners for the ed. After that it was a couple of mugshots for Bowie and Alex Turner and then straight into the fashion and gossip. The result was rather unsatisfactory. It was perfectly workmanlike, but it didn't have the Mail zing. The best bit was the back to back of The Voice 'rivals' Jessie J and Kylie. I preferred the Times (near the top of this post).
Picture
After that it all becomes a bit dismal. The Express put Kylie on the front when common sense dictated that it had to be either Ellie Goulding for looks, Kate Moss or Bowie for Ziggy effect, or an Arctic Monkey or 1D for winning two gongs. To choose Kylie in PVC is almost perverted.
Inside, it made even more of a mess of it, choosing a second picture of Ms Minogue with her sister, Myleene Klass and Jessie J and a cutout of Bowie. Four onlookers and one winner. And all of this was shoved on top of a Madeleine story, complete with mandatory mugshot, and an ad with yet another face. Oh dear.
Daily Express, p7 20-02-14
The Express marries four onlookers with Madeleine and an air hostess
Telegraph p3, 20-02-14
Winners? There's no room for them in the Telegraph, apart from Ellie Goulding
i, p11, 20-02-14
Small and imperfectly formed coverage from the i. Liam Gallagher? Give us a break
The Telegraph and the i were even worse. The lineup of women across the Telegraph's page 3 have no scale or sense. They just don't work together at all. 
It does include Ellie Goulding, second left, but Kate Moss is almost invisible with the microphone, winner's card and the award itself. 
If you wanted to use Kylie and Danni together, they had to be given twice the space. Kylie may be tiny, but she's not half the size of Moss or Goulding. 
And who is this woman on the left? A model called Rosie Huntington-Whiteley, who is, according to that fount of wisdom Wikipedia, best known for modelling for Victoria's Secret and Burberry - and now, presumably, for being four times the size of the Minogues. 
Oh, and it would be nice if the Tel told us who'd won the other prizes.
The i meanwhile goes for a static photo of Liam Gallagher looking an idiot alongside Kate Moss. It also ran the back-to-front Bowie picture, but at least it had the sense not to show the telltale bunny in its tiny circle. Again no winners.
Guardian, p3, 20-02-14
No we don't need token women, but some young dudes would have been nice
Independent, p7 20-02-14
And the Indy gives us neither glamour nor Bowie. What's going on here?
And so finally to the 'serious' arts papers, the Guardian and Independent, which both fail for taking themselves and the event too seriously. 
The Brits are a bit of nonsense. Nobody has yet worked out the right way to project them.  Last year they were 'too staid', so this year Arctic Monkeys were asked to make it more rock 'n' roll. Does a boozy acceptance speech count? 
James Corden has been host  for five years now and still hasn't got his head round it - although he's improved since he dumped Gavin and stopped cutting off the winning speeches. And he's light years better than the horror that was Sam Fox and Mick Fleetwood. 
We've had Prescott and Chambawamba and Michael Jackson and Jarvis Cocker, but still nothing has stirred it up. 
Is it glamour is it music? It's neither, it's tacky. It's the Grammys TOWIE style. 
So dull pictures of Alex Turner with a guitar and screeds of text don't cut it. 
Josh Halliday and Adam Sherwin are both nice writers. But who wants to read an essay of 1,000 words plus on this? 
The Brits don't define British music or even come close. So get over yourselves and show your readers the frocks and the flesh.

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Ukraine violence

20/2/2014

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Independent 20-02-14
Most papers devoted a spread to the worsening violence in Kiev today. The Independent decided not to bring the story forward, but to lead the World section on the story. This meant starting the story on a right-hand display page and turning to the next.  
I particularly like the way the headline works with the almost historical air of the photograph. It doesn't have the flames and visceral violence of other papers, but there's something of the First World War about it that offers a sharp reminder that domestic turmoil can lead to international catastrophe.
It's a pity that only the agency, EPA, is credited. I think the photographer was Alexey Furman.

Mail 14-15 20-02-14
The Mail uses the same photograph on the right-hand page of its 14-15 spread. The crop changes the balance so that it is less dramatic. It nevertheless works well in contrast to the more colourful water cannon picture on the left. Even though I prefer the photograph on the right, I'd have been inclined to switch them so that the water is being directed at the crowds gathered in the smokey square.
There is a pleasing symmetry to the spread, but you have to be willing to study the smaller pictures to see how terrific they are: the stash of molotov 
cocktails, the slingshot and tyre weaponry, and the grim face of the 
Mail p17 20-02-14
man about to throw a rock from behind the riot shields.
The Mail has decided that the unrest is now sufficiently severe to warrant an explainer on the following right-hander. The graphic is simple and effective. As this page is about style over substance, we'll stake over the 'evil empire' and say only that it's a pity that the reader has to turn four pages to read to the end.  A slightly smaller heading and a bit of subbing wouldn't have hurt.

Guardian 6-7, 20-02-14
The Guardian's restrained spread on 6-7 makes more of the tyre and sling shot and benefits greatly from seeing the goddess at the top of the Bereginia monument, which just about misses the gutter.The two subsidiary pictures add little. I might have been inclined to dispense with at least one of them and make the main picture a column wider, leaving a single-column story on the right. The gutter would then have been well away from the monument and the flames.

Times pp30-31, 20-02-14
Here we have the same picture again on the Times foreign pages' opening spread. The gutter misses the monument nicely, but at the expense of the slingshot man's elbow. If the photograph must be constrained in that space, it's probably the better choice of crop, but it's a pity to lose his clearly defined left hand and wristwatch. If the Times had not compromised the spread by adding in a bit of Denmark and Germany that nobody would really have missed such a choice wouldn't have been necessary. The floating head bottom right is distracting and the cutout man with his hands full of rocks is too close to the main picture. But the ragbag army in the gilded monastery top right is an interesting combination. With a banner heading, the spread could do with a subsidiary head or standfirst on the left.

Telegraph, 4-5, 20-02-14
The Telegraph brings the story right forward to 4-5, but what a mishmash. It's hard to work on a page with those ads - but there are far too many tiny pictures that mean nothing. 

i, page 9, 20-02-14
The i spares only a half page on 9 to the violence, so it should really have stuck with a single picture - and with this space it should have been the tyre and slingshot. The factbox is a good idea in principle, but do we really learn anything here?

Sun, 16-17, 20-02-14
Mirror 14-15, 20-02-14
The Sun and Mirror both decided it was time to pay attention to Ukraine, devoting almost identical space to the violence - the Sun on 18-19, the Mirror a spread earlier. Although the Mirror's full-width picture is more dramatic than the Sun's upright, the effect is spolt by the inset pictures at the top and the three-word heading. With the subhead on the left, the headline gives the impression of being three separate labels for a table in which only the first bit has been filled in. This is, in fact, the result of  putting in extra spacing between 'squad' and 'slaughter' in an attempt to match that required for the gutter betweeen 'death' and 'squad'.
The end result is to look like an Xbox or DVD cover.
The Sun goes even further down the movie poster road with the two bloodied people in the foreground, apparently walking away from the burning battlefield behind. The flag-waving and the typography only add to the effect.
Is it deliberate? Possibly. 
Is it trivialising a serious situation? Possibly not.
It may have been intentional to draw readers into a subject that they might not normally care about.
And if that sounds too generous, bear in mind that the Sun does go to some effort to explain some background to what's going on in the panels.

Express, p30, 20-02-14
Star, p8, 20-02-14
The Express and Star meanwhile make clear how far up their priorities Ukraine comes. For the Express it's page 30 with a Cameron angle. For the Star it's much more important - page 8, straight after the Brits and Benefit Streets, and in the company of Madeleine McCann.
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    The look

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